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Composition: Duet
Unique Notes: 11 - 15
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J.S. Bach
Air, orchestral suite nº3, Johan Sebastian Bach
davidcianorris
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 16 5 6 100%
Bass 25 0 8 3 100%
Violin Treble 14 0 5 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 16 5 6 100%
Bass 25 0 8 3 100%
Violin Treble 14 0 5 8 100%
 
Minuet in G Minor, from Anna Magdalena Notebook
edlemjulve
1:48 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
 
Air ('on the G string')
Shoichi
3:36 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 5 8 100%
Guitar Treble 26 14 8 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 5 8 100%
Guitar Treble 26 14 8 5 97%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
212. In dich hab' ich gehoffet, Herr. BWV 52 #6
SDG
0:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 11 0 1 4 100%
Soprano/Alto Treble 12 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 11 0 1 4 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 17 0 2 6 100%
Contrabass Bass 10 0 1 5 48%
 
184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.
SDG
1:04 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
Violin Treble 15 0 3 5 100%
Contrabass Bass 15 0 3 4 50%
 
J.S. Bach: Magnificat in D Major, BWV 243 - X. Suscepit Israel
Samuel Ricke
2:25 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 15 5 4 100%
18 0 4 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 15 5 4 100%
18 0 4 3 100%
Organo
e Violoncelli.		 18 0 4 3 100%
Soprano
I.		 16 0 4 5 100%
Alto. 14 0 4 5 97%
Soprano
II.		 15 0 5 5 89%
Oboe
I.II. all'
unisono.		 Treble 7 0 0 1 78%
 
220. Komm heiliger Geist, Herre Gott. BWV 59/3, BWV 175/7.
SDG
1:24 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
Viola 14 0 2 5 100%
Violin Treble 16 0 4 6 100%
Contrabass Bass 14 0 3 5 50%
 
341. Was Gott thut, das ist wohlgethan. BWV 99.6.
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 5 100%
Tenor/Bass Bass 16 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 9 0 1 3 50%
Alto Treble 1 0 0 1 6%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%